Talking to his wife Emilia, Iago says: “You are pictures out of doors, Bells in your parlors, wild-cats in your kitchens, Saints m your injuries, devils being offended, Players in your housewifery, and housewives’ in your beds.” (Act 2, scene 1) In this quote, Iago summarizes the woman’s circle of responsibilities: housework and sex. Iago’s public treatment of Emilia is as dismissive as the way he speaks to her in private. Iago believes that the longer she stays with Othello, the more her “delicate tenderness will find itself abused, begin to heave her gorge, disrelish and abhor the Moor” (2, 1, 253-255). he lies to the heart: She was too fond of her most filthy bargain. lago has neither the desire nor the ability to love anything or anybody. Desdemona as beautiful daughter is seen as prized possession. Strangle her in her bed, even the bed she hath contaminated" "wether he kill Cassio, Or Cassio him, or each do kill the other, Every way makes my gain" 15 Quotes to show Iago kills Roderigo Iago: Hast stol’n it from her? Examination Questions on Othello Question: What is the relationship between Iago and Emilia? Iago is a sexist in every aspect of the word. Iago: A good wench! Iago-presents Desdemona as an object owned by her father, almost irrelevant in list of stolen objects. 86. V,2,3494. 85. My friend, thy husband, honest, honest Iago. V,2,3498. If he say so, may his pernicious soul Rot half a grain a day! Emilia. Ha! Answer: There certainly is not that strong and equal tie of love which we would expect to find existing between man and wife. lago uses Emilia as his tool; she is cared for only in so far as she is of use to him. [A1S1] Quotes to show Iago's scheming becomes darker & Iago being the "opportunist" "Do it not with poison. He believes women are lustful creatures that shouldn't be loved nor trusted. Emilia. / Look here ’tis. Othello. Iago also is not only bitter at being overlooked for promotion, but also because he believes that Othello has bedded his wife, for which he also wants revenge: ‘Till I am evened with him, wife for wife-‘ (Act 2 Scene 1) Emilia is regarded merely as a possession, and just like Desdemona, has no say in the matter. Emilia: No, faith, she let it drop by negligence,/ And to th’advantage I, being her, took’t up. Give it me. Do thy worst: This deed of thine is no more worthy heaven Than thou wast worthy her. In act 4, scene 3, Emilia delivers an impassioned monologue about the expectations and perceptions of women prevalent in Jacobean England. Iago even says that her “nature will instruct her in it and compel her to some second choice” (2, 1, 255-256). The third female character in the text is Bianca. Sure enough Iago doesn't want any woman getting in his way and warns other men to avoid them. [A1S1] ‘the old black ram is tupping your white ewe!’ Iago-Desdemona is seen as property ‘your’ but also sexualised, her choice to be with Othello is seen as a violation. In Act IV Scene 2, Iago is annoyed when Emilia refers to Iago’s false suspicion that Othello cuckolded him. (3.3.304-319) It seems as though Emilia is a character that is used when convenient to further the plot. Everybody calls Iago honest once or twice, but with Othello it becomes an obsession; at the crucial moment just before Emilia exposes Iago he keeps howling the word out. Emilia loves Iago with all her heart, but however realises that Iago’s plan to destroy Othello is wrong and will tarnish Desdemona’s life. Anthony Brennan 1986 Many explanations have been given for the recovered stature which Othello achieves at the end. 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