Through our work as an artist foundation with a large physical presence, we are in the unique place of figuring out how to best communicate the ideas contained within the spaces. Architectural Digest: How did the idea for Donald Judd Spaces come about? We made a choice with our designer to set the photographs, both archival and newly commissioned, together and it created this beautiful narrative of the spaces over time. Our website, archdigest.com, offers constant original coverage of the interior design and architecture worlds, new shops and products, travel destinations, art and cultural events, celebrity style, and high-end real estate as well as access to print features and images from the AD archives. He even designed the oval stainless-steel washbasins in the bathrooms, and had them fabricated by Bernstein Brothers in Queens where his metal sculptures were made. The sculpture completes the composition of “asymmetric sliding rectangles” and “circles” that Johnson described in the first published article about the Glass House, “House at New Canaan, Connecticut,” Architectural Review, September 1950. By the mid-1980s, he was so strapped for cash that he rented out 101 Spring Street as a set for the movie 9 1/2 Weeks. §, Judd Foundation From the mid-1950s to 1961, as he started to explore the medium of the woodcut, Judd progressively moved from figurative to increasingly abstract imagery, first carving organic rounded shapes, then moving on to the painstaking craftsmanship of straight lines and angles. As they had outgrown their childhood lofts, Judd converted the basement into an apartment. What do you hope they'll learn from it? The top-floor bedroom features, from left, an early Judd wall piece; Claes Oldenburg’s. The original cable lift and wooden staircase linking the floors have survived, but Rainer’s beloved spiral staircase had to go, and safety devices installed, like ‘those God-awful exit signs’, as she calls them. It is presented as everything at once, the spaces as they were in use, and the spaces with Don. Ensconced behind lofty windows, we were gathered together inside the ground floor of Donald Judd’s studio-cum-house on 101 Spring Street, where Judd his vision of a “permanent installation.” The building is, in fact, the only surviving single-use cast-iron building in SoHo. The space is lit by a fluorescent light sculpture specially made by Dan Flavin to replicate the grid of the windows. … Somehow they managed to hang onto 101 Spring Street, and eventually succeeded in raising the $23m needed to restore it. essay by donald judd photography by elizabeth felicella via somewhere i would like to live 101 Spring Street, the building in Soho where Donald Judd lived and worked for years, is currently being renovated by Architecture Research Office. 25.06.2020 - Grace Kreuser hat diesen Pin entdeckt. Seeing his work in Marfa is truly extraordinary, but getting there requires a lengthy journey for most visitors, and many more people will be able to experience an authentic Judd space in the SoHo building. But once inside 101 Spring Street, it seems as if Judd might stroll in at any moment, even if it is neater, cleaner and equipped with many more safety signs than when he left. Donald Judd’s library, with his drawing pencils, stones and Alvar Aalto furniture, at 101 Spring Street in SoHo. Book A Visit Donald Judd’s first concrete work, Untitled, 1971, was the last element added to the Glass House site’s historic core. At first, he used the ground floor as his studio, but soon wearied of being pestered by passers-by who spotted him working. Donald Judd with untitled (1961) in his architecture studio in Marfa, Texas, in 1993. See more ideas about donald judd, furniture, furniture design. A vintage Alvar Aalto table and chairs furnish a small library whose wooden shelves contain an intriguing assortment of rocks, knick-knacks Judd’s Stetsons and the few paperbacks that remained after he shipped his other books to Marfa. … Custom Order FAQ. Born in Ecelsior Springs, Missouri, he moved to New York in the late 1940s to study philosophy and art history at Columbia, while also attending night classes in painting at the Art Students League. Finding the photographs he took with his Hasselblad was really special—we chose to include two pairs. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Judd also made an imposing wooden daybed, and a large wooden table and chairs whose tops are perfectly level with the table top. Starting on Monday, the restored building will be opened to small group tours. Rainer Judd: We have been thinking of a book like this for quite some time—our first book was the reprint of Don’s “yellow book” from 1975, which is a collection of his art criticism and his writing. The same was true of much of the rest of SoHo – the area’s fortunes had declined with those of its textile trade, making it one of the few areas of New York with buildings which were spacious enough for artists, like Judd, to work in, yet cheap enough for them to afford. Also on the first floor, two wooden closets and a hatch so that Judd’s children could stage puppet shows. For artist Donald Judd, a house was not just a place to live, and a studio was not just a place to work—the spaces themselves are very much a part of his oeuvre. The Judd Foundation’s Whyte Building in Marfa. “Why didn’t they keep that downstairs?” asked a recent visitor. Entdecke (und sammle) deine eigenen Pins bei Pinterest. Customers are responsible for arrangement of shipping from Donald Judd Furniture to destination of choice. He wrote extensively, as seen in Donald Judd Writings, so there exists a very clear record of his intentions with his spaces in New York and Texas. Detail of the sleeping platform Judd designed for himself and his then wife, the dancer Julie Finch. RJ: It was great fun to search through our archives, with an eye to sharing a photographic record of Don and his spaces. The third floor of 101 Spring Street in New York. There are more Aaltos on the third floor, as well as artworks by Dan Flavin and Frank Stella, a couple of Gerrit Rietveld’s wooden ‘Zig-Zag’ chairs and an elaborate Etruscan bronze sconce and candelabra. There is a certain familiarity with Don’s art and how that relates to space, but really, he was thinking of space related to architecture, furniture, the natural world, and beyond. ‘One thing I hope people will get from the building is being able to see my dad’s work in the context he wanted, in the same space with the same light,’ says Rainer Judd. Ahead of the first major US retrospective dedicated to the late artist in over three decades, opening at MoMA next spring, we revisit our feature on 101 Spring Street following its restoration in 2013, Donald Judd’s daughter Rainer, who is on the board of the Judd Foundation with her brother Flavin, in the artist’s second-floor studio, which is dominated by one of his huge metal cube sculptures, Untitled (1969), and an Alvar Aalto desk and chairs. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. An antique round stove stands in the middle of the room beside Judd’s lovely old Thonet bentwood chairs. AD: How did you choose which essays to include? The top floor was the sleeping space, where Judd installed a platform bed for him and Finch, and built little lofts for the children. It would also be Rainer’s first home after her birth in 1970. Judd set to work on 101 Spring Street, clearing out the debris and stripping the interior to leave open-plan wooden floors, bare plaster walls and daylight flooding in through the huge windows on both outside walls. The first image in the book is from 1970 and the last from 1993. The former studio and home of artist Donald Judd is in what used to be called the Cast Iron District of Manhattan. “I had always considered my work another activity of some kind,” remarked artist Donald Judd. Naturally, Donald Judd Spaces was a book that was needed! Marfa 104 South Highland Avenue Marfa, TX 79843-0218 432 729 4406. New York, Donald Judd’s New York home and studio is one of the best addresses in American art. … Lacquer on galvanized iron, Twelve units, each 9 x 40 x 31" (22.8 x 101.6 x 78.7 cm), installed vertically with 9" (22.8 cm) intervals Photo by Douglas Friedman. ‘It was kind of great, because we had this beautiful spiral staircase and felt independent there,’ Rainer recalls. We spoke with the artist’s daughter, Rainer Judd, president of Judd Foundation, about the creation of the book. © TI Media Limited. In the late 1940s, Donald Judd began to practice as a painter. At a Minnesota house, a Donald Judd Desk 33 and Chair 84 face Lake Minnetonka. ‘Frequently, as much thought has gone into the placement of a piece as into the piece itself,’ he wrote. View Donald Judd’s 1,878 artworks on artnet. Judd Foundation exists today because he had the foresight to describe what the value was in these spaces. He turned to sculpture in the early 1960s, but remained dependent on his income from art criticism for several years afterwards. Nov 20, 2016 - There’s a shovel attached to the wall on the fifth floor of 101 Spring Street. The south room in the east building of La Mansana de Chinati/The Block in Marfa. The first thing you see when you walk into 101 Spring Street in the SoHo district of New York is a pile of bricks standing on the floor. RJ: This book is one of the publications we produce as an organization that are intended to serve as tools for audiences interested in knowing more about Don’s work and thinking, and there are several more we will publish on his architecture, furniture, and art. Together with Robert Rauschenberg, Yvonne Rainer and other local artists, Judd and Finch flung themselves into a campaign to save the area from the threat of demolition to build a Lower Manhattan Expressway. 101 Spring Street There is a patina in almost everything, which gives a sense of warmth and history and ruggedness. For artist Donald Judd, a house was not just a place to live, and a studio was not just a place to work—the spaces themselves are very much a part of his oeuvre. Custom Order FAQ. For artist Donald Judd, a house was not just a place to live, and a studio was not just a place to work—the spaces themselves are very much a part of his oeuvre. Even if it didn’t, the sight of something so perilous in a spot where it could so easily be knocked over seems too odd to be coincidental. ‘Oldenburg’s kids had a section of his building too, so we felt that, for some reason, artists’ kids were being given their own territory.’ Both basements were spruced up in the renovation to be used as the foundation’s offices. Purchased in 1976, this two-bedroom house contains works of art and furniture by Judd, Mexican-style ranch furniture, and … A 50% deposit is required to initiate production. Share your email to receive our daily digest of inspiration, escapism and design stories from around the world. The bricks in question are ordinary building bricks with which the sculptor Carl Andre constructed Manifest Dynasty, a piece he made in 1986 for the home and studio of his friend and fellow artist Donald Judd. Customers are responsible for arrangement of shipping from Donald Judd Furniture to destination of choice. He was very attuned to the spatial experience of a room, down to the very placement of a doorway. The scenes in the art gallery where Kim Basinger’s character works were shot there. The Judd Foundation architecture office in Marfa. It isn’t a big pile, just eight red bricks placed one on top of another, and it looks higgledy-piggledy as if it might tumble down at any time. Donald Judd was an influential American artist known for his large-scale and unadorned sculptures. Photography: Stefan Ruiz. Donald Judd was an influential American artist known for his large-scale and unadorned sculptures. After the restoration was completed this spring, each piece was returned to the place that Judd had chosen for it – as were the faded Stetsons on his bookshelves and the pencils on his desk – in preparation for the opening of 101 Spring Street to the public this June. It was important for this book to provide readers with the clear sense that these are his spaces and his ideas. AD: How do you hope this book will impact readers? The Judd Foundation spaces include studios installed with early works by Judd, libraries, and living quarters that reflect the diversity of his life’s work. Before the project began, the New York photographer Elizabeth Felicella photographed the cast-iron structure. When Donald Judd's New York City building in the SoHo Cast Iron Historic District opens to the public in June 2013 after a three-year restoration, visitors will … His artistic style soon moved away from illusory media and embraced constru… Mar 25, 2020 - Explore Michael Reisman's board "Donald Judd / Furniture" on Pinterest. But for the people who run the Donald Judd Foundation, and oversee his SoHo home as a monument to his work and life, he was a Materialist. An early Chamberlain crushed car sculpture is at one end of the main wall, and an Oldenburg fabric piece at the other, while one of Marcel Duchamp’s ready-mades, a snow shovel, hangs beside a bathroom door. Most of the works were removed for conservation three years ago when the Judd Foundation, the charity that manages Judd’s estate and is run by his son Flavin, 45, and daughter Rainer, 42, (who were named after Dan Flavin and the performance artist Yvonne Rainer) began a $23m project to restore the building led by the New York practice Architecture Research Office (ARO). AD: What was the process of selecting archival photographs and pairing them with newly commissioned ones? After his death, Flavin, Rainer and the foundation trustees wrestled with the need to pay off the debt, which they could only do by selling art, and their determination to honour Judd’s wishes by preserving the spaces as he had left them. Judd bought the derelict factory in 1968; it is now the only intact, single-use, cast-iron building left in the neighbourhood. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. The winter bedroom in La Mansana de Chinati/The Block. He has been contributor to BlouinARTINFO, The Washington Post, ARTNews, Flash Art and covered topics such as the potential indictment of museum staff in response to Robert Mapplethorpe's 1990 retrospective, and some of the first post-war multi-million dollar auction records. Across its 400 pages are both archival and newly commissioned photographs of his many spaces, plus a few of Judd’s personal essays. The previously unpublished images were both from our archives and through research with people, friends of Don’s, who had been in the spaces. They returned to 101 Spring Street when Judd was working in New York or passing through en route to exhibition openings in other countries, but moved back there in the early 1980s when Flavin and Rainer were teenagers. 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